Strange and unusual people, places, and events throughout history. History is stranger than fiction. Discover the most bizarre things history has to offer, all in one place, here!
Saturday, October 13, 2012
Curious History: Creepy Vintage Halloween Costumes, 1890-1900
Curious History: Model of Decomposing Corpse in Coffin, 1900
Crawling with maggots, this unusual wooden model shows a decomposing corpse exposed by an open coffin. Little is known about the model. It is thought to be a memento mori. These objects are reminders of death and the shortness of life. Memento mori come in different shapes and sizes. Up until the 1500s, death was often represented by a skeleton leading a living victim to their fate. A skull became a more common representation of death after this date. What makes this piece even more creepy is that its origin is unknown.
Friday, October 12, 2012
Curious History: Pocket Watch Concealed in a Memento Mori, 1700
Memento mori (a Latin phrase for “remember your mortality”) are objects that were usually carried or worn by a person as a reminder of one’s mortality. What’s particularly interesting about them is that they were very common objects for hundreds of years. They served the purpose of reminding the owner of mortality and the shortness of life. Prior to the 15th century, the objects would usually be in the shape of a full skeleton or a combination of a skeleton and a healthy body. Early in 16th century, the trend evolved into the image of a skull or half skull, half face. The ones above served a practical purpose in that they contains a pocket watch.
At the beginning of the 19th century, the trend of having memento mori objects went out of fashion. This was around the same time that families ceased having viewings of deceased loved ones in the home and used mortuaries instead. The concept of caring for a family member’s body until burial was no longer the cultural norm. As a society we have distanced ourselves from the concept of death both mentally and physically. Considering death is as natural to life as birth, this is not necessarily a positive trend.
Curious History: Extreme Pumpkin Carving
American artist Ray Villafane has taken pumpkin carving to a whole new level. Using his background in fine art and his work in designing models for DC and Marvel comics, Ray turns pumpkins into gruesome Gothic gargoyles.
Thursday, October 11, 2012
Curious History: Marvelous Monsters
Artist Jordu Schell creates wonderful monsters and creatures, primarily for the film and television industry. Since his start in 1987, his work has been featured in Avatar, Alien vs. Predator, and many other productions.
Curious History: Monowheel Motorcycle, 1930s
While not necessarily a masterful design, Italian M. Goventosa’s
1930s single-wheeled motorcycle is certainly a testament to human
imagination.
Curious History: Momento Mori - A Reminder of Death, 1500s
Wednesday, October 10, 2012
Tuesday, October 9, 2012
Curious History: The Changeling
That’s not my baby!
A “Changeling” was a creature from European folklore that took the form of an infant. According to legends, a demon, troll, or elf would swap a normal infant with a Changeling, leaving the parents to discover a strange, emotionless, or disturbed hollow creature in place of their child.
While today there are many scientific explanations to such phenomena (autism, mental retardation, exposure to toxins, etc.) at the time their were no rational explanations for such occurrences. To Medieval parents Changelings were very real. Most tragically the method of retrieving a child was to expose the Changeling, usually through horrific form of abuse such as exposure to hot objects, leaving the Changeling in a pile of manure at night, or near drowning. It was thought that by exposing the Changeling to such danger, the fairies would return the real child, not wanting their spawn to be harmed. Religious reformer Martin Luther believed in a more drastic approach, advocated infanticide when shown a Changeling in 1532;
“I, Dr. Martin Luther, saw and touched a changeling. It was twelve years old, and from its eyes and the fact that it had all of its senses, one could have thought that it was a real child. It did nothing but eat; in fact, it ate enough for any four peasants or threshers. It ate, shit, and pissed, and whenever someone touched it, it cried. When bad things happened in the house, it laughed and was happy; but when things went well, it cried. It had these two virtues. I said to the Princes of Anhalt: “If I were the prince or the ruler here, I would throw this child into the water–into the Molda that flows by Dessau . I would dare commit homicidium on him!” (Weimar: Böhlau, 1912-1921)
Belief in Changelings would continue beyond the Middle Ages, even lasting in some rural communities into the 19th century.
A “Changeling” was a creature from European folklore that took the form of an infant. According to legends, a demon, troll, or elf would swap a normal infant with a Changeling, leaving the parents to discover a strange, emotionless, or disturbed hollow creature in place of their child.
While today there are many scientific explanations to such phenomena (autism, mental retardation, exposure to toxins, etc.) at the time their were no rational explanations for such occurrences. To Medieval parents Changelings were very real. Most tragically the method of retrieving a child was to expose the Changeling, usually through horrific form of abuse such as exposure to hot objects, leaving the Changeling in a pile of manure at night, or near drowning. It was thought that by exposing the Changeling to such danger, the fairies would return the real child, not wanting their spawn to be harmed. Religious reformer Martin Luther believed in a more drastic approach, advocated infanticide when shown a Changeling in 1532;
“I, Dr. Martin Luther, saw and touched a changeling. It was twelve years old, and from its eyes and the fact that it had all of its senses, one could have thought that it was a real child. It did nothing but eat; in fact, it ate enough for any four peasants or threshers. It ate, shit, and pissed, and whenever someone touched it, it cried. When bad things happened in the house, it laughed and was happy; but when things went well, it cried. It had these two virtues. I said to the Princes of Anhalt: “If I were the prince or the ruler here, I would throw this child into the water–into the Molda that flows by Dessau . I would dare commit homicidium on him!” (Weimar: Böhlau, 1912-1921)
Belief in Changelings would continue beyond the Middle Ages, even lasting in some rural communities into the 19th century.
Curious History: Hung, Drawn and Quartered
Quartering was the third part of an execution method
known as hanging, drawing and quartering, and most commonly applied to
those convicted of high treason in England. First the condemned was half hanged,
usually from a gibbet. However, the neck was not broken, but they were
left hanging so as to almost choke. it was important that the condemned
was left alive at this point for the following stage of execution.
Next, they were taken down and laid out, and had their abdomen cut open and their entrails pulled out in front of them. The entrails were often burnt at this point. Somewhere about now the condemned usually died. Finally, the corpse was cut into four parts, and those parts sent to different points of the kingdom to be displayed over city gates.
Usually one portion was sent their county of origin. Note, because high treason was a conviction imposed by Act of Attainder, it almost inevitably applied only to nobles. Commoners involved in rebellion would normally be cut down on the spot of battle, or summarily executed shortly after capture. Also, note that there were some creative variations on the theme.
When Hugh Le Despenser the Younger was executed, he was hanged from a ladder. This enabled the executioners to perform an additional humiliation. His genitals were cut from him and stuffed in his mouth. Queen Isabella reportedly insisted on this because he was also convicted of sodomising the king.
Next, they were taken down and laid out, and had their abdomen cut open and their entrails pulled out in front of them. The entrails were often burnt at this point. Somewhere about now the condemned usually died. Finally, the corpse was cut into four parts, and those parts sent to different points of the kingdom to be displayed over city gates.
Usually one portion was sent their county of origin. Note, because high treason was a conviction imposed by Act of Attainder, it almost inevitably applied only to nobles. Commoners involved in rebellion would normally be cut down on the spot of battle, or summarily executed shortly after capture. Also, note that there were some creative variations on the theme.
When Hugh Le Despenser the Younger was executed, he was hanged from a ladder. This enabled the executioners to perform an additional humiliation. His genitals were cut from him and stuffed in his mouth. Queen Isabella reportedly insisted on this because he was also convicted of sodomising the king.
Curious History: The Euthanasia Coaster - The Ride of Your Death
Want to enjoy the ride of your life along with the last ride of
your life? That’s what Julijonas Urbonas envisions with his Euthanasia
Coaster. The three-minute ride involves a long, slow, climb — nearly a
third of a mile long — that lifts one up to a height of more than 1,600
feet, followed by a massive fall and seven strategically sized and
placed loops.
The final descent and series of loops take all of one minute. But the gravitational force — 10 Gs — from the spinning loops at 223 miles per hour in that single minute is lethal.
That’s because Euthanasia Coaster isn’t simply meant to be about death. Urbonas sees it as both an intellectual and artful departure from the world, one that isn’t about the paperwork and medical issues of the current euthanasia system. The few places where voluntary euthanasia is legal include: Belgium, Luxembourg, the Netherlands, Switzerland, and the U.S. states of Oregon and Washington.
“There is no special ritual, nor is death given special meaning except that of the legal procedures and psychological preparation. It is like death is divorced from our cultural life…” Urbonas writes. “…But if it is already legal, why not to make it more meaningful?”
How do you turn a roller coaster ride into a “meaningful” death? Urbonas has built in a long, slow trek to the top before the first fall. In fact, of the three-minute ride, two minutes are devoted to the climb. Urbonas writes: “…The rider has a few minutes to contemplate his decision and his life in retrospect. He would find enough time to adapt to the height and get through a series of imaginary fatal falls, while realizing that the objects on the ground are getting smaller…The slightest movement of the car would trigger intense heart-beating and goosebumps and most importantly it would test your decision. Therefore the very top of the tower is an ideal place to give the very last word.”
The final descent and series of loops take all of one minute. But the gravitational force — 10 Gs — from the spinning loops at 223 miles per hour in that single minute is lethal.
That’s because Euthanasia Coaster isn’t simply meant to be about death. Urbonas sees it as both an intellectual and artful departure from the world, one that isn’t about the paperwork and medical issues of the current euthanasia system. The few places where voluntary euthanasia is legal include: Belgium, Luxembourg, the Netherlands, Switzerland, and the U.S. states of Oregon and Washington.
“There is no special ritual, nor is death given special meaning except that of the legal procedures and psychological preparation. It is like death is divorced from our cultural life…” Urbonas writes. “…But if it is already legal, why not to make it more meaningful?”
How do you turn a roller coaster ride into a “meaningful” death? Urbonas has built in a long, slow trek to the top before the first fall. In fact, of the three-minute ride, two minutes are devoted to the climb. Urbonas writes: “…The rider has a few minutes to contemplate his decision and his life in retrospect. He would find enough time to adapt to the height and get through a series of imaginary fatal falls, while realizing that the objects on the ground are getting smaller…The slightest movement of the car would trigger intense heart-beating and goosebumps and most importantly it would test your decision. Therefore the very top of the tower is an ideal place to give the very last word.”
Curious History: Cadaver Synod - The Trial of a Corpse
Throughout history there have always been extremely strange
rituals that seem to defy understanding. The Cadaver Synod was one of
these.It involved the macabre process known as
posthumous execution. This is the process of exhuming a corpse and
conducting a ritual or ceremonial mutilation of the remains. The only
case of a Cadaver Synod was enacted upon Pope Formosus, 816-896.
(picture 1), one year after his death. The trial was
conducted by Formosus’ second successor, Pope Stephen VI. Stephen VI
accused Formosus of perjury and acceding to the papacy illegally.
Formosus’ corpse was disinterred, clad in papal vestments, and seated on a throne (picture 2). In the ruling, it was declared that Formosus was unworthy of the pontificate, and all acts and measures made under his papacy were declared null and void. This included the removal of three of his fingers, as they had been used in various “illegitimate” consecrations. So loathsome was Formosus’ body deemed, that clerics had it thrust into the Tiber River. It was quickly retrieved by a monk and kept in an unmarked burial plot.
Following the death of Stephen VI, Formosus’ body was re-interred in St. Peter’s Basilica. Further trials of this nature against deceased persons were banned, but Pope Sergius III (904–911) re-approved the decisions against Formosus. His body was once again exhumed and a second Cadaver Synod was performed. This time, Formosus’ punishment was a beheading and his remains were once again thrown into the Tiber River where they remained.
The Cadaver Synod is remembered as one of the most bizarre episodes in the history of the medieval papacy.
Formosus’ corpse was disinterred, clad in papal vestments, and seated on a throne (picture 2). In the ruling, it was declared that Formosus was unworthy of the pontificate, and all acts and measures made under his papacy were declared null and void. This included the removal of three of his fingers, as they had been used in various “illegitimate” consecrations. So loathsome was Formosus’ body deemed, that clerics had it thrust into the Tiber River. It was quickly retrieved by a monk and kept in an unmarked burial plot.
Following the death of Stephen VI, Formosus’ body was re-interred in St. Peter’s Basilica. Further trials of this nature against deceased persons were banned, but Pope Sergius III (904–911) re-approved the decisions against Formosus. His body was once again exhumed and a second Cadaver Synod was performed. This time, Formosus’ punishment was a beheading and his remains were once again thrown into the Tiber River where they remained.
The Cadaver Synod is remembered as one of the most bizarre episodes in the history of the medieval papacy.
Monday, October 8, 2012
Curious History: Hallstatt Charnel House or House of Painted Skulls
Behind the Hallstatt Catholic Church in Austria, near the 12th-century St. Micheal’s Chapel, in a small and lovingly cared for cemetery is the Hallstatt Beinhaus (bone house), also known as the Charnel House. A small building, it is tightly stacked with over 1200 skulls. Because Hallstatt finds itself in such a lovely location, it also finds itself in very short supply of burial grounds. In the 1700s, the Church began digging up corpses to make way for the newly dead. The bodies which had been buried for only 10 to 15 years were then stacked inside the charnel house. Once the skeletons were exhumed and properly bleached in the sun, the family members would stack the bones next to their nearest kin.
In 1720, a tradition began of painting the skulls with symbolic decorations as well as dates of birth and death so that the dead would be remembered, even if they no longer had a grave. Of the 1,200 skulls, some 610 of them were lovingly painted, with an assortment of symbols, laurels for valor, roses for love, and so on. The ones from the 1700s are painted with thick dark garlands, while the newer ones from the 1800s on, bear brighter floral styles.
Curious History: The Deadly Affects of Makeup
For thousands of years women slowly poisoned themselves by
wearing face makeup called Venetian Ceruse. Venetian Ceruse was a 16th
century cosmetic used as a skin whitener. It was in great demand and
considered the best available at that time.
Ceruse had the effect of making a woman’s skin look ghastly white. The
women who wore it usually kept adding more to the old layer rather than
washing it off. But the pigment of white lead was extremely
poisonous. It rotted teeth and turned skin color to horrible shades. It
made hair fall out and caused eyes to swell. Usage of Venetian Ceruse over an extended period of time could cause death.
The most notable user of Venetian Ceruse was Queen Elizabeth I of England seen above. It is believed that the Queen’s constant use of ceruse, which created her trade-mark look of snow white skin, led to her extreme hair loss. She wore a large variety of wigs during her reign. There were many rumors that Queen Elizabeth I was bald by the age of 30 due to her extremely high hair line, but there is no historical proof to verify this fact.
The most notable user of Venetian Ceruse was Queen Elizabeth I of England seen above. It is believed that the Queen’s constant use of ceruse, which created her trade-mark look of snow white skin, led to her extreme hair loss. She wore a large variety of wigs during her reign. There were many rumors that Queen Elizabeth I was bald by the age of 30 due to her extremely high hair line, but there is no historical proof to verify this fact.
Sunday, October 7, 2012
Vintage Photo of a Dressed Cat
The odd fact about this picture is not that the poor kitty had to wear a dress and bonnet. The cat can't mind because he is...well, has already been through the process of taxidermy. Did they just use the head? Very disturbing.
Curious History: Baseball in the 1300s?
This illustration was found in the margins of a calendar in a
14th-century Flemish Book of Hours. Various historians of sport have
identified this as a version of “stool ball” or “stump ball”, which was
baseball played with only one base.
Curious History: The Evolution of “Wound Man”
“Wound
Man” is an illustration which first appeared in European surgical texts
in the Middle Ages. It laid out schematically the various wounds a
person might suffer in battle or in accidents.
Late medieval anatomy works often contain a standard set of illustrations, copied and recopied from text to text. Typically, these depict the body front and back; the skeleton and muscles within it each from the same two viewpoints, and so on. Strangest to our modern eyes is the illustration that usually comes last: the Wound Man, a compendium of all the injuries that a body might sustain. Captions beside the stoic figure describe the injuries and sometimes give prognoses: often precise distinctions are drawn between types of injuries, such as whether an arrow has embedded itself in a muscle or shot right through.
Late medieval anatomy works often contain a standard set of illustrations, copied and recopied from text to text. Typically, these depict the body front and back; the skeleton and muscles within it each from the same two viewpoints, and so on. Strangest to our modern eyes is the illustration that usually comes last: the Wound Man, a compendium of all the injuries that a body might sustain. Captions beside the stoic figure describe the injuries and sometimes give prognoses: often precise distinctions are drawn between types of injuries, such as whether an arrow has embedded itself in a muscle or shot right through.
Curious History: The Legend of the Ubume
According to Japanese folklore, an ubume is the ghost of a womam who has died in childbirth (birthing woman ghost). Appearing disheveled or in a state of desperation while holding a swaddled infant, the apparition will beg those who pass by to hold her baby, only to then disappear. The infant will grow heavier and heavier in the arms of the stranger, until when becoming impossible to hold, it is revealed to be a heavy stone.
According to one legend, the warrior Urabe Suetake who was a retainer and guardian king to the Lord Minamoto no Yorimitsu, was traveling with a group of soldiers. One night he overheard his men telling wild stories of an ubume that haunted an upcoming river. She would appear to travelers who attempted to ford the river. Standing in the rapids, she would beg them to help save her child, but upon accepting the child, it would grow so heavy that the good samaritan would sink below the waters and drown.
After hearing of the story, his men became too frightened to cross the river the next day. Suetake chided his men for being superstitious and crossed the river himself to prove it was safe. At first the ubume didn’t appear, but on his return crossing, a woman with a crying child did appear and begged Suetake to save her baby. Suetaki, momentarily forgetting the old tale, took the bundled infant in his arms. The child grew heavier and heavier, but Suetake was a strong warrior, and he hefted the child across to safety. Upon arriving back at the camp he opened the bundle and found it to be nothing more than wet leaves in the rough shape of an infant.
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