Strange and unusual people, places, and events throughout history. History is stranger than fiction. Discover the most bizarre things history has to offer, all in one place, here!
Showing posts with label medicine. Show all posts
Showing posts with label medicine. Show all posts
Tuesday, October 23, 2012
Curious History: Healing Demon Ghost Crystal
John Dee (1527-1609) was an English mathematician and astrologer
interested in divination using crystals and mirrors. This purple
crystal was used for curing disease
and predicting the future by looking for symbols or the ‘ghosts’ of
people in the stone. Dee claimed that this crystal was given to him by
the angel Uriel in November 1582, and that Uriel had instructed Dee and
his assistant Edward Kelley (1555-1597/8) on how to make the
Philosopher’s Stone – one of the goals of alchemy. The crystal was
entrusted to Dee’s son, Arthur (1597-1651) who passed it on to Nicholas
Culpeper (1616-1654) as a reward for curing his liver complaints. Culpeper was a physician and alchemist who used the crystal to try and cure illness, until 1651, when he believed a demonic ghost burst out from it.
Monday, October 8, 2012
Sunday, October 7, 2012
Curious History: The Evolution of “Wound Man”
“Wound
Man” is an illustration which first appeared in European surgical texts
in the Middle Ages. It laid out schematically the various wounds a
person might suffer in battle or in accidents.
Late medieval anatomy works often contain a standard set of illustrations, copied and recopied from text to text. Typically, these depict the body front and back; the skeleton and muscles within it each from the same two viewpoints, and so on. Strangest to our modern eyes is the illustration that usually comes last: the Wound Man, a compendium of all the injuries that a body might sustain. Captions beside the stoic figure describe the injuries and sometimes give prognoses: often precise distinctions are drawn between types of injuries, such as whether an arrow has embedded itself in a muscle or shot right through.
Late medieval anatomy works often contain a standard set of illustrations, copied and recopied from text to text. Typically, these depict the body front and back; the skeleton and muscles within it each from the same two viewpoints, and so on. Strangest to our modern eyes is the illustration that usually comes last: the Wound Man, a compendium of all the injuries that a body might sustain. Captions beside the stoic figure describe the injuries and sometimes give prognoses: often precise distinctions are drawn between types of injuries, such as whether an arrow has embedded itself in a muscle or shot right through.
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